Showing posts with label handicraft. Show all posts
Showing posts with label handicraft. Show all posts

Monday, March 13, 2017

The Art of Silk Embroidery Vietnam








Vietnamese men and woman, mostly young Embroidery Silk 

Vietnamese men and woman, mostly young Embroidery Silk

Vietnamese men and woman, mostly young Embroidery Silk 


 Vietnamese men and woman, mostly young Embroidery Silk 


 Vietnamese men and woman, mostly young Embroidery Silk 
Vietnamese men and woman, mostly young Embroidery Silk 








Vietnamese men and woman, mostly young Embroidery Silk

Vietnamese men and woman, mostly young Embroidery Silk 






Monday, January 19, 2015

Young woman’s social enterprise revitalises do paper-making trade | VXArtNews

VietNamNet Bridge -Do (poonah) paper, used to make the famous folk painting Dong Ho, has been given new vitality thanks to an art project created by a young NGO employee, Tran Hong Nhung.

Visitors learn how do paper is produced during a Dance of Paper workshop.
Visitors learn how do paper is produced during a Dance of Paper workshop.
For Nhung, who works for a German NGO in Ha Noi, her connection with the traditional handmade paper in northern villages was fate.



The endeavour, a company selling modern products made out of do paper and hosting workshops on the handicraft, began four years ago. Nhung helped a Vietnamese-German friend learn more about Vietnamese calligraphy, which is often beautifully featured on the paper. The duo accumulated a lot of knowledge about the papermaking process and its long history.

“I was worried by the critical fact that there are only a few households in the North that still do this craft, but on a very small scale,” Nhung said. “It is impossible to preserve authentic calligraphy if we can’t preserve our traditional papermaking.”

After a time, Nhung’s friend became disinterested and the project was put on hold. But in 2013, Nhung decided to return to it because she didn’t want to waste the effort they had already put in.

To devote more time for her “spiritual child”, as she calls it, Nhung started working part-time at the NGO.

On her journey toward preserving do paper, Nhung teamed up with two young people, Duong Hoang Linh and Nguyen Hong Nhung, who became the project’s art designer and technical adviser, respectively.

With her business mindset coming from a Foreign Trade University bachelor’s degree and a master’s degree on Business Management in France, Nhung, CEO of the project, said she thinks the key to preserving the paper-making is to increase the amount of products made with the paper.

“Like any other farmers, the do tree growers just care about economic benefits. Once the paper is being used widely, the demand for raw materials will increase, and growers definitely will invest more in this kind of plant,” Nhung said.

Using modern designs for do paper products can increase consumption of the material, Nhung said. So she and her teammates aimed to create products with both traditional and contemporary features.

In January 2014, the group officially launched their product line, including notebooks, matchboxes, photo albums, postcards and calendars. They use typical Vietnamese images, such as street vendors or a tangled mass of power lines, to adorn their unique products, which are available in many souvenir shops in Ha Noi, HCM City and Hoi An.

Stable income

The products not only helped create more demand for do paper, they created a stable income for the project so it could expand.

Product line: Some of the do-paper notebooks created by Nhung and her team. - Photos courtesy of Zo Project
Product line: Some of the do-paper notebooks created by Nhung and her team. - Photos courtesy of Zo Project
“Before the market would accept our products, we all had to spend our own savings for this ‘spiritual child,’” Nhung said.

She also held workshops that gather young people and expats living in Ha Noi to learn about do papermaking and its history.

“I’m very happy to see most of my workshops’ attendees and project’s volunteers are young people,” Nhung said. “It’s the young people who are working to preserve traditions.”

In March last year, Nhung also started Vu Dieu Cua Giay (Dances of Paper), an art event where young artists can showcase their works created from do paper.

Sponsored partly by the Danish Embassy in Viet Nam’s Cultural Development and Exchange Fund (CDEF), the event not only encouraged artists to use the traditional paper more, but also helped do paper makers understand the importance of their job.

“The do paper makers were quite excited, because none of them could imagine their paper being used in such creative ways,” she said. “The event seemed to give them more meaningful reason to continue their job.”

Nhung said she intends to turn her two-storey rental house into an art space displaying artworks and products using do paper.

She has kept in close contact with artisans in Dong Cao Village in Bac Ninh, currently the only village in Viet Nam producing the paper. Nhung said she hoped to connect different papermaking villages so they could exchange their experiences and preserve the traditional craft.

The project recently won a Social Enterprise Support Programme award for 2014, and earned a US$10,000 grant. The award seeks out and gives support to social enterprises during critical development periods to enhance their effectiveness and social impacts.

With the grant, Nhung and her team will invest in new products and research.

In the summer, Nhung will travel to northern mountainous provinces to learn about the regions making the materials, and make a proposal on the long-term economic benefits of do trees.

VNS












Young woman’s social enterprise revitalises do paper-making trade | VXArtNews

Sunday, March 15, 2009

VietNamTourists snub handicraft villages

The number of tourists visiting traditional handicraft villages has decreased sharply since Viet Nam was hit by the global economic recession.

Van Phuc Village in the west of Ha Noi, one of the country’s most famous traditional silk villages, is suffering from a lack of visitors.

According to the chairman of the Van Phuc Association of Craft Villages, only 200 tourists a day have been visiting the village, a decrease of 30 per cent against last year. Local visitors account for 60 per cent of the total tourists.

Bat Trang pottery village is seeing only 50 arrivals a day compared to 200-300 arrivals per day last year, according to Nguyen Trong Thu, a member of the Bat Trang Ceramics and Pottery Association.

Faced with falling attendance, traditional handicraft villages are striving to improve produce quality and have called for help from authorities to diversify tourism services.

Top priority should be given to improving the image of handicraft villages, said Chinh. "We plan to build a common business area to introduce and sell silk products. In addition, local cultural programmes will be added to existing tours," Chinh said.

A tourist and commercial service joint stock company will be set up in Bat Trang Village. The company will help develop traditional handicraft village tourism by introducing the village’s culture, history and current products to visitors.

People in Bat Trang Village were looking forward to the establishment of a pottery museum, said Thu.

At present, Van Phuc and Bat Trang are the most popular destinations out of the 11 traditional handicraft villages for tourists in Ha Noi.

Every year 8,000 to 10,000 foreign tourists and hundreds of thousands of local visitors visit the villages.

VietNamNet/VNS